How to stay happy, productive and vaguely sane in the publishing industry

One of my favourite moofies from the 1980s was Heartburn with Meryl Streep and Jack Nicholson. I’m not sure why I loved it so. I’ve always been gaga for Streep. Also, she wore some snazzy (1980s) outfits in that film. Good beads. Capacious shoulder-bags. New York boho actress/writer/intellectual look. That was a look, right? And …

Want readers to sigh over your work? Try this

Universalities. Those little pearls of wisdom… In literature, universalities are statements that apply to everyone or to the human condition. Sometimes they're accurate, insightful and give readers, young and old, a lovely ah-ha moment. Sometimes they're grossly inaccurate. Famous universalities in literature include: It is a truth universally acknowledged, that a single man in possession of a …

Who said what? The importance of tagging dialogue in kid lit

I've read loads of manuscripts that start out funny or entertaining or full of potential. Then the dialogue kicks in and, quite frankly, it's a birdy's breakfast. Nothing will baffle an editor faster than poorly tagged dialogue. Do not overlook this if you want your manuscript to win friends and influence people. If you want editors and publishers …

Here’s where writers often stuff up. (Part Two of yesterday’s post)

When I worked in publishing, I was surprised by the number of unsolicited manuscripts that had wonky tense. Not the occasional transgression. They crop up in most manuscripts. I'm talking about tense that was a bit like time travel. Totes all over the place, girlfriend. Past, present, here, there, everywhere. Now, when I teach IRL (in real life), …

How Point of View can save your story (Part One of two posts)

If your story isn't taking off, maybe you're telling it from the wrong perspective. The wrong point of view. I've been known to go on about this. But it's important. I've grappled with it so often it's become a fallback for when things are going badly. If my story is dragging its feet, I reassess. I think, okay, can …